Tim O’Brien argues there is still room for music games as they are huge driver for music sales (the Coyote Kisses remix of Carly Rae Jepsen’s ‘Call Me Maybe’ had 1.5m downloads in the first week of the Tour game), but warns new start-ups here will find it increasingly harder to license content.

The full article is available to our subscribers only.
If you're a subscriber, you can login here

You can subscribe here (where there are options for monthly, twice-yearly, annual and trial subscriptions)