Tag: digital royalties

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Should Spotify windfall lead majors to cancel unrecouped debts for legacy artists?

Musician Tom Gray of British band Gomez – currently firing up crowds on the 20th anniversary tour celebrating their 'Bring It On' album – has an idea for major labels about how to follow up their windfalls from Spotify's...
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Exactuals software will match recordings and publishing data

From collecting-society supergroups to blockchain startups, plenty of people are working on the historically-tricky challenge of matching data for music recordings to the songs that they feature. Now you can add one more...
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Universal promises to share Spotify windfall with its artists

With Spotify preparing for its direct public listing, Universal Music has settled a long-running question over how it will deal with any windfall from its shares in the streaming service. “Consistent with UMG’s approach...
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New study explores impact of user-centric music-streaming payouts

‘User-centric’ streaming payouts refers to a proposed system where the royalties generated by someone’s subscription would be divided only between the artists that they listen to, rather than going into a central pool...
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How would user-centric payouts affect the music-streaming world?

‘User-centric’ licensing is where the royalties from a streaming subscription only go to the artists who that subscriber listens to, rather than into a bigger pool split by overall share of all the streams on the platform. There...
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Big services can’t find big hits’ writers according to NOIs

Can Spotify, Google and Amazon *really* not identify who to pay publishing royalties to for Drake’s global hit ‘God’s Plan’? Or for Ed Sheeran’s ‘Perfect’? Or for Post Malone’s ‘Rockstar’ or Camila Cabello’s...
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Auddly launches #MetadataPays campaign for music creators

Startup Auddly’s service aims to help songwriters and musicians to start creating metadata around their songs from the earliest stages of writing and recording. Now it’s launching a campaign to promote these practices,...
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New report quantifies the independent US creative economy

A new report published by a lobbying coalition called Re:Create – we’ll get to who that is in a bit – is trying to put some numbers to the independent creative economy in the US. The report is deliberately narrow...
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Socan promises more transparency with ‘Layla’ royalty system

Canadian PRO Socan has launched a new royalty income and tracking system for customers of its Audiam subsidiary. Called ‘Layla’ (we’re sorry for the guitar-solo earworm you’ll be enjoying all morning now) it’s aimed...
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Joe Elliott of Def Leppard talks streaming, Hysteria and label rows

When you have sold over 100m albums and shift more tickets today than you did in your supposed peak in the 1980s, you are “not exactly hurting” for money and can therefore afford to take your time when considering the...
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David Lowery publishes 2018 ‘streaming price bible’

Musician David Lowery has published the latest data on payouts from a range of streaming services, sourced from “a mid-sized indie label with an approximately 200+ album catalog now generating over 200m+ streams annually”. It’s...
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Neil Finn talks livestreams, tech and social media’s evolution

As a founding member of both Split Enz and Crowded House, Neil Finn is New Zealand’s most successful musical export, and a multi-award-winning songwriter. As well as being hugely prolific, he was an early convert to the...