Tag: digital royalties
Should Spotify windfall lead majors to cancel unrecouped debts for legacy artists?
Musician Tom Gray of British band Gomez – currently firing up crowds on the 20th anniversary tour celebrating their 'Bring It On' album – has an idea for major labels about how to follow up their windfalls from Spotify's...
May 23, 2018
Exactuals software will match recordings and publishing data
From collecting-society supergroups to blockchain startups, plenty of people are working on the historically-tricky challenge of matching data for music recordings to the songs that they feature. Now you can add one more...
May 16, 2018
Universal promises to share Spotify windfall with its artists
With Spotify preparing for its direct public listing, Universal Music has settled a long-running question over how it will deal with any windfall from its shares in the streaming service. “Consistent with UMG’s approach...
March 6, 2018
New study explores impact of user-centric music-streaming payouts
‘User-centric’ streaming payouts refers to a proposed system where the royalties generated by someone’s subscription would be divided only between the artists that they listen to, rather than going into a central pool...
March 5, 2018
How would user-centric payouts affect the music-streaming world?
‘User-centric’ licensing is where the royalties from a streaming subscription only go to the artists who that subscriber listens to, rather than into a bigger pool split by overall share of all the streams on the platform. There...
March 2, 2018
Big services can’t find big hits’ writers according to NOIs
Can Spotify, Google and Amazon *really* not identify who to pay publishing royalties to for Drake’s global hit ‘God’s Plan’? Or for Ed Sheeran’s ‘Perfect’? Or for Post Malone’s ‘Rockstar’ or Camila Cabello’s...
February 28, 2018
Auddly launches #MetadataPays campaign for music creators
Startup Auddly’s service aims to help songwriters and musicians to start creating metadata around their songs from the earliest stages of writing and recording. Now it’s launching a campaign to promote these practices,...
February 26, 2018
New report quantifies the independent US creative economy
A new report published by a lobbying coalition called Re:Create – we’ll get to who that is in a bit – is trying to put some numbers to the independent creative economy in the US. The report is deliberately narrow...
February 19, 2018
Socan promises more transparency with ‘Layla’ royalty system
Canadian PRO Socan has launched a new royalty income and tracking system for customers of its Audiam subsidiary. Called ‘Layla’ (we’re sorry for the guitar-solo earworm you’ll be enjoying all morning now) it’s aimed...
February 6, 2018
Joe Elliott of Def Leppard talks streaming, Hysteria and label rows
When you have sold over 100m albums and shift more tickets today than you did in your supposed peak in the 1980s, you are “not exactly hurting” for money and can therefore afford to take your time when considering the...
January 31, 2018
David Lowery publishes 2018 ‘streaming price bible’
Musician David Lowery has published the latest data on payouts from a range of streaming services, sourced from “a mid-sized indie label with an approximately 200+ album catalog now generating over 200m+ streams annually”. It’s...
January 17, 2018
Neil Finn talks livestreams, tech and social media’s evolution
As a founding member of both Split Enz and Crowded House, Neil Finn is New Zealand’s most successful musical export, and a multi-award-winning songwriter. As well as being hugely prolific, he was an early convert to the...
August 9, 2017