Tag: slush music

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Biggest tracks could be main losers from user-centric streaming payouts (#SlushMusic)

Research being conducted in Finland into a ‘user-centric’ payments model for music-streaming suggests that the biggest tracks may be the main losers under such a system. That’s according to Lottaliina Pokkinen, head...
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How does free ‘promotion’ fit in to the music-streaming era? (#SlushMusic)

“The industry’s problem to solve is we’ve been addicted to promotion for the entire time that the music industry has existed. We’ve always given stuff away to sell something. But that mindset in the consumption world...
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Spotify talks playlists, skip rates and NF’s Nordic-fuelled success (#SlushMusic)

“I would once and for all like to kill the myth that it’s just about something called skip rate.” Spotify’s Nordic head of shows and editorial Daniel Breitholtz was keen to make something clear in his speech at...
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WMG’s Stu Bergen: ‘I would caution us not to get drunk on two years of growth’ (#SlushMusic)

As CEO, international and global commercial services at Warner Music Group, Stu Bergen has become one of the main spokespeople for WMG’s strategy in the streaming age. At the Slush Music conference in Helsinki today,...
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Blockchain music: rights, artists and ‘the big spreadsheet in the sky’ (#SlushMusic)

Jaak is one of the startups exploring the potential that blockchain technology has for the music industry. The company is working on a number of pilot schemes, and its CEO Vaughn McKenzie has been a regular speaker on blockchain...
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Scott Cohen: ‘The music industry isn’t broken. It never was’ (#SlushMusic)

Attendees at the Slush Music conference in Helsinki this morning may have turned up expecting to hear The Orchard co-founder Scott Cohen telling them why the music industry is broken, and how he's going to fix it. That was,...
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Women and music: ‘The famous glass ceiling hasn’t been smashed’ (#SlushMusic)

Earlier this month, 1,993 women signed an open letter calling out sexism, sexual harassment and assault within the Swedish music industry. One prominent major-label executive there has since been suspended following multiple...
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VR and music: ‘The biggest challenge thus far is the storytelling’ (#SlushMusic)

Musical VR is creatively exciting but commercially nascent: key startups are still in their early days, while there’s no clear path for artists and labels to make decent money (or even a return on their investment) in virtual...
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UMG’s Jonathan Dworkin: ‘Despacito is more than just a hit’ (#SlushMusic)

As SVP of digital strategy and business development at Universal Music Group, Jonathan Dworkin is playing a significant role in how the biggest major label wants to steer the digital music world in the years to come. His...
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The search for the next music/tech giants (#SlushMusic)

2017 has been a fascinating year for digital music, from the growth in paid streaming to a wave of new accelerators and initiatives to help talented music startups get up and running. A pair of sessions at the Slush Music...
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Evolving exit strategies for music startups (#SlushMusic)

We’ll be blunt: for many music startups, the ‘exit’ is either shutting down when nobody wants their product or service, or an ‘acquihire’ of their team and/or tech by a bigger fish without the kind of valuation...