analysis

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Publishing and rights: ‘Everybody needs to play ball in order for this tech to work’

“You can choose to grow one copyright at a time. That’s going to take a really, really long time. We went to look for solutions that would help us scale more quickly. And what drove that was really find likeminded people,...
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Global music streaming: ‘We are just on the tip of the iceberg of what this will become’

“I think it’s good that we have a lot of players in the market, because it means we all get better… The streaming landscape, and particularly for us the audio landscape, will continue to grow. We are just on the tip...
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The evolution of labels: ‘What’s your value proposition?’

“Labels who call themselves labels? That’s like dinosaur shit to me! It’s what’s your value proposition? What’s my value proposition? Can one plus one equal 10? As long as I can say to somebody that you and I together...
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Analysis: the music industry enters 2020 on a wave of growth – and optimism

Barring a major surprise, 2019 will have been the fifth straight year of growth for the global recorded music industry. Over those five years, its annual revenues have grown from $14.2bn to $19.1bn, taking it almost back...
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In 2019, UK music-streaming spending passed £1bn for the first time

Consumer spending on music streaming in the UK passed the symbolic £1bn mark for the first time last year, according to figures published by the Entertainment Retailers Association (ERA) today. Brits spent just over £1bn...
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We’ve tested Bytedance’s Resso app: here are our first impressions

Earlier this month, we reported on Resso, the new music-streaming app that TikTok’s parent company Bytedance is testing in India and Indonesia. We asked journalist Amit Gurbaxani, who has written regularly for Music Ally...
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What’s the real end-game for AI music? Popgun’s CEO has ideas…

“What’s the end-game for this? There isn’t this place in the world where teenagers come together to make music for each other. That place does not exist, and that’s nuts! That thing needs to exist, and it will exist....
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Billie Eilish wins big in Apple awards and Spotify 2019 stats

What we need, said almost nobody in the music industry, are a few more awards ceremonies. But now we have two, from the world’s biggest subscription music-streaming services. Spotify’s first awards will take place...
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Capitol Gains: Capitol Records talks innovation, startups and music

In September, Music Ally spoke to three of Warner Music Group's senior innovation and business-development execs, about how they work with startups and innovative technologies. That month, we also interviewed some music/tech...
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We need to talk more about legal issues around training musical AIs

When most people think about the potential legal issues around AI-created music, they tend to think about the output – the music itself, and questions like whether an AI-generated track can attract copyright protection....
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Capitol Royale roundup: empowerment, hacks and A&R’s evolution

On Saturday and Sunday (November 16-17), Capitol Music Group held its 2nd annual music and tech festival, Capitol Royale, at its Los Angeles headquarters. The theme for this year was 'Music on the Move', with workshops, hackathons,...
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Crowdfunding is still effective – and it’s still not begging (guest column)

This article is an excerpt from Ari Herstand's second edition of How to Make It in the New Music Business: In 2009, I was co-managing one of my favorite Minneapolis bands with my girlfriend. I was actively touring, playing...