Tag: digital royalties

Universal Music Group’s head of royalties Cindy Oliver has been talking about the major label’s moves towards accounting to artists on a monthly, rather than a quarterly or semi-annual basis. This is based on the label...

There are changes afoot in the way streaming revenues in South Korea are divided up between the streaming platforms and rightsholders (and thus musicians). From next year, rightsholders will get a 65% share of the streaming...

The latest study of Spotify claims that placement on the streaming service’s Today’s Top Hits playlist can be worth between $116k and $163k to an artist. The study was carried out by Luis Aguiar and Joel Waldfogel of...

Canadian collecting society Socan is the latest industry entity to reveal encouraging growth in 2017. It collected $352m in royalties for songwriters, composers and publishers last year, up 8% year-on-year which thus reflects...

Last week you will have read about Sony’s plans to split its windfall from its sale of part of its Spotify stock and how the company was keen to be seen to be doing the right thing as regards the artists on its books. The...

Musician Tom Gray of British band Gomez – currently firing up crowds on the 20th anniversary tour celebrating their 'Bring It On' album – has an idea for major labels about how to follow up their windfalls from Spotify's...

From collecting-society supergroups to blockchain startups, plenty of people are working on the historically-tricky challenge of matching data for music recordings to the songs that they feature. Now you can add one more...

With Spotify preparing for its direct public listing, Universal Music has settled a long-running question over how it will deal with any windfall from its shares in the streaming service. “Consistent with UMG’s approach...

‘User-centric’ streaming payouts refers to a proposed system where the royalties generated by someone’s subscription would be divided only between the artists that they listen to, rather than going into a central pool...

‘User-centric’ licensing is where the royalties from a streaming subscription only go to the artists who that subscriber listens to, rather than into a bigger pool split by overall share of all the streams on the platform. There...

Can Spotify, Google and Amazon *really* not identify who to pay publishing royalties to for Drake’s global hit ‘God’s Plan’? Or for Ed Sheeran’s ‘Perfect’? Or for Post Malone’s ‘Rockstar’ or Camila Cabello’s...

Startup Auddly’s service aims to help songwriters and musicians to start creating metadata around their songs from the earliest stages of writing and recording. Now it’s launching a campaign to promote these practices,...